一开始不是很对的上这部剧的vibe 打破第四面墙的手法有股淡淡的冷幽默 虽然真的很难get到
很喜欢S2E4的一段 在教堂confession时Fleabag说: “I sometimes worry that I wouldn't be such a feminist if I had bigger tits.” 她的敏感和善良在这句话被体现得淋漓尽致。本质在于: 如果自己是既得利益者的话，会不会为了弱者的权益而发声？i.e. 符合主流审美的女性可能更容易通过外貌优势获得社会认可从而对结构性性别压迫的感知会减少。很难不说这是在讽刺现实里拥有某种“特权”(like符合传统女性气质)可能使人忽视或淡化系统性不平等。她质疑自己成为女权主义者的“纯粹性”——是否只是因为自己不符合社会对女性的完美期待才转而反抗这套标准？以此引出女权的核心争议: 反抗是否必须源于“受害体验”？答案是当然不，这应是超越个人境遇的集体觉醒而并非因不够完美而产生的补偿心理。
我很少极度讨厌一个角色 而Fleabag里的godmother成功做到了 功利的 狡诈的 虚伪的优雅 投机取巧的才华 作品看似前卫实则空洞无物 演员演得太好了 每次一到她的戏我都被气得想伸进屏幕里去揍她 一边感叹这个角色写得好一边因为写得太好了而生气
Priest这个角色也非常复杂和极具魅力 身份带来的天然的禁忌感把性张力拉满 kneel那段真的神了 好多高光片段 唯一一个真正看见女主的 在婚礼上关于爱的speech我也好喜欢
“Love is awful. It’s awful. It’s painful. It’s frightening. It makes you doubt yourself, judge yourself, distance yourself from the other people in your life. It makes you selfish. It makes you creepy, makes you obsessed with your hair, makes you cruel, makes you say and do things you never thought you would do. It’s all any of us want, and it’s hell when we get there. So no wonder it’s something we don’t want to do on our own. I was taught if we’re born with love then life is about choosing the right place to put it. People talk about that a lot, feeling right, when it feels right it’s easy. But I’m not sure that’s true. It takes strength to know what’s right. And love isn’t something that weak people do. Being a romantic takes a hell of a lot of hope. I think what they mean is, when you find somebody that you love, it feels like hope.”
结局也处理得蛮好: 爱并非要占有，也许能够唤醒彼此对真实的渴望就够了。
—— “I love you.”
—— “It'll pass.”
总体还不错 可以给8.5
